I WAS ASKED about my writing influences. The question came in the form of a recent interview. This is one of those questions that can really trip up a writer, letting us either get slavish in our attention to ourselves and our seemingly great reading habits, or honest, and admit to what we really read as kids, what genuinely informed us and how we still use it every day.
I’ve seen this go both ways, and every time I am sympathetic to the author being asked, since most writers genuinely do want to help other writers along and provide real inspiration. How, though? With honesty, or do you defer solely to what you think you should say and blurt out things like, “One can only truly learn to write by reading all of Proust, Tolstoy and Camus.”
Oh, you know that’s been said. It gets said all the time, and every time I read that kind of response I feel like I’m watching a Woody Allen movie. Allen, the master of seeing into our insecurities, has no problem writing about his, and so it was to Woody Allen that I went recently for some inspiration.
I keep a copy of his screenplays on my desk. They are there to remind me how to write dialogue. It’s just one of the many reference books I surround myself with in my corner by the window, and while that collection of his is not on this list of recommended references I published in my recent book, the collection is there, always, to remind me how people really speak.
But I needed a little more than mere dialogue recently, and holding to my absolute belief that there is no such thing as writer’s block, I slapped on the Woody Allen documentary, a brilliant look into how and why to write. Made by Robert B. Weide for PBS, the film is also a fascinating look at Woody Allen and his life, but more than anything I found it inspirational in its reassurance that he is just a guy from Brooklyn who writes every day. In fact, until watching it, I did not know that the day he finishes editing one movie is the same day he begins writing the next screenplay.
In this two-part documentary, Allen has wonderful, generous, interesting, provocative things to say about writing, as well as much to reveal about his day-to-day process.
Have a look. We all need some creative inspiration, yes?
Oh, and how did I answer that question posed to me about my influences? Despite my own slavish adoration for the Tolstoy-Proust-Camus frame of reference, I was honest. As a kid I read Mad magazine and Emily Dickinson in equal measure. And you see the results.
Dan New says
I like the mention of Mad Magazine. I will always remember their idea that our highways should be made of rubber and our tires made of concrete. The idea is we will never need to replace tires again.
Mad was truly inspirational.
marion says
Hi, Dan: I loved Mad. It formed me, God help us all. So glad you share the appreciation for it. Thanks for stopping by. Please come again soon.
M says
What do you do if you didn’t read as a child, teen or even as a young adult? Can u still be a writer?
Jeff Goins says
My favorite Woody Allen flick: Midnight in Paris.
TC says
@M: In the car, instead of the radio or music, listen to audiobooks of Tolstoy, Proust, and Camus (or any other good writer). You can soak up rhythms, vocabulary, sentence structure, etc. and catch up on some great stories while commuting, going to the mall, or sitting in traffic!
Pilar Arsenec says
I love Tolstoy and Camus. I never read anything by Proust, at least I don’t think so. Thanks to Jeff Goins, I discovered you and your wonderful blog. Speaking of insecurities, I struggle with a nawing insecurity. I didn’t finish college and so how could I ever be a writer? This is what usually trips me up. I have been told you don’t need to go to college to be a writer, but somehow, that statement just doesn’t ring true to me for some reason.
marion says
Hi, Pilar. How lovely to meet you here. There are so many reasons not to write. Do not let the lack of college be one of them. Read. Read widely. That’s the best education for a writer. Writers write. Write on.