CAN MEMOIR BE POETRY? I get this question all the time. Of course it can. In fact, you can write memoir, poetry, memoir screenplays, plays, lists, essays and book-length pieces. Memoir is a genre that allows for a lot of forms, and here to show you one of them is a poet of gorgeous ability. Let me introduce you to Keven Bellows, who chooses poetry to write about the many topics of her life. I’ll let her explain.
Writing Memoir in Narrative Poems
by Keven Bellows
I write about my life in narrative poems, not prose. The poetic form with its layering, use of simile and metaphor allows me to rediscover not just the events of my past, but also the emotional and psychological surround. I wrote poetry as a child and young adult, but stopped when I married (twice) and had children. Years later, an extremely difficult work situation sent me back to therapy. My therapist insisted I come, despite an infection in my vocal chords that silenced me. She instructed me to write what I wanted to talk about, and she would read it back to me. The long-buried wound was very deep, and the only way I could express myself initially was indirectly in poems. (Poetry says the unsayable.)
At age 50 I still had more to uncover and discover, and poetry was the vehicle that allowed me to do that. Interestingly, I remembered I became a poet as a child, because then, as often now, I was not able to express directly the tumultuous mix of fear and despair about my beloved father’s alcoholism and my mother’s cool indifference.
Most of the poems in my first book, Taking your Own True Name, excavate my childhood and my own alcoholism in college and during my early years as a mother.
Often the impetus for a poem was a remembered phrase of my mother’s or father’s that would spring into my consciousness, e.g. “your father always wanted to shut you in a drawer.” I wrote, her voice was like, “the sound of a drawer slamming shut”. She deeply resented my father’s excessive love for me–a fact I think I captured in another poem titled “The River” that begins, “My mother and I lived on opposite banks of my father’s love”.
But I wrote my way through my child self to my woman self and could understand and love her, unfortunately, long after her most untimely death.
Illuminating a difficult childhood with poetry was very gratifying, professionally and personally, and a found a unique voice that felt authentic. I have been dedicated to writing poetry and learning more about the craft ever since. Now I teach poetry, both appreciation and writing. I most definitely found my calling in the second half of my life.
My next book was all about memories, too– though much sweeter ones, allowing me to recapture the man I loved as he was slowly disappearing into Alzheimer’s Disease.
The Blue Darter (Amazon) reads like a novel in poems from the night I met legendary journalist Jim Bellows, through our glorious life together and the difficult years at the end.
That book actually came about in a poetry writing workshop where the instructor asked us to write a letter we would never send, stating our true feelings. My letter, to Jim, told him about my exhaustion and my despair. When I read it to the class, everyone cried.
The teacher–a fine poet, himself– explained the reason people cried was that the words and the emotion were true. He added that if a poem doesn’t move you, it’s probably not!
He suggested I write some poems about this very painful chapter in my life. Another teacher, whom I revere, told me the poems should be a book. Writing it was amazingly therapeutic and helped me to hold onto the Jim I knew and loved as he slowly left me. Here’s the title poem:
The Blue Darter
From behind the big desk
across the expanse of office,
in one fluid motion
he stops just short of embracing me,
frozen in the doorway
surprised by his energy,
his undisguised intent.
(We’d barely met.)
When every day he searches
the same pockets, drawers
for the keys he had moments before.
anxiety fuels her impatience.
She shuts her heart’s eye to the man
who was so famously certain.
I love his long hands
always moving, talking for him,
one always caressing a cigarette.
He often anchors the other
on chair-backs and vaults over
to sit down, crumpling the cellophane
from the pack, throwing it
on top of the bookcase
for the cat he taught to fetch.
When her eyes sweep over him
on the couch where he sits
re-reading the New York Times,
the TV turned to what comes next,
she tells herself to stop, touch
his hand, his cheek but doesn’t.
Flashes of dark hair, lean body
hurrying through his newsrooms
tossing a Delphic mumble
over this shoulder,
diving into the pool at dusk,
crushing me against him
in taxis, on hotel beds
in Beverly Hills, London, New York
When he inquires each night
which side of the bed she will sleep on,
she wants to scream, the side I always sleep on.
But she answers calmly, continues to floss,
tries to forget only she remembers
their decades of a shared bed.
All momentum through careers, cities,
as managing editor of the Miami News
he was nicknamed the Blue Darter,
for a rare swift-moving hawk
whose endangered habitat
made front-page headlines.
Thirty-five years later,
his wingspan is a shadow,
his mind a collection of odds and ends.
Each morning, the third time he asks
if he should feed the dog, she yells.
From the beginning I understood
I’d been swept off my feet
to play a role in his life.
He calls me his ingénue.
It seems she is the one thing
he has not forgotten,
but his faithfulness fails to move her.
All edge and edgy, shut down,
she was not born to be a lodestar.
He was the fixed point.
Author’s bio
Keven Bellows lives in Los Angeles with her dog, Ragamuffin, who selected her during a visit to a local shelter. Her name is the subject of much discussion, even in the era of unisex names. And no, her father did not want a boy. He had one! She is named for an uncle, one of her father’s seven brothers–the one who never had a child of his own.
Born in upstate New York where he father was a state Supreme Court Judge, she was the youngest of four children. She was educated at the Emma Willard School in Troy, NY and at Wellesley College, class of 1959. She also has an MBA from UCLA.
Keven married a Harvard lawyer in 1960 and had a son, Michael.
That marriage ended in divorce. In 1971 she married Jim Bellows, the youngest and last editor of the storied New York Herald Tribune, when he came to the Los Angeles Times. He came with three daughters, and he and Keven had one child, Justine. They have 10 grandchildren. Jim died in 2009.
After a long career in business, both in the for-profit and non-profit sectors, she returned to her childhood love of writing poems and is currently a student of poetry as well as a teacher in the Osher Program at UCLA Extension. She writes for the Huffington Post.
Leslie says
Keven, (I was namesd after my dad so I love that naming story….)
I am trying not to cry but it seems it is impossible to stop. I always called my husband the lighthouse, so I know well your feelings. The poem is beyond beautiful. I will buy your book and relish every word. My husband has Fronto-temperol dementia and another poet you might know has helped me in the understanding of it. Her name is Rachel Hadas and her book is Strange Relation. Her poem “The Chair” really holds special meaning for me. I have always been amazed at the incredible people God has put in my path in this muddy journey. Marion R. Smith and you are two of them. All the best! and Thank you both!
Keven Bellows says
Of course I know Rachel’s work. She’s fabulous!! So delighted you were moved by my poem. My heart goes out to you. I suggest you write about your sorrow, pain and love. It really helps.
Anne Skyvington says
My husband and I have recently watched a movie called “Away From Her” about a younger wife with dementia having to make the decision to leave her husband of forty-four years. It was so sad but so beautiful. We gave it 5 stars.
Clara says
Beautiful poetic narrative. Thanks so much for sharing.
sarah conover says
Thank you for this window into memoir as poetry. I’ve had a foot in each of those genres trying to work out a us-moir (versus a memoir). It’s interesting that you gave yourself the third person “she”–I guess I don’t know if you call the book memoir or is it shelved in poetry? Did you stick with the 3rd person “she” for your own role the whole time? Did that make it easier for you to write the fierce truth?
William. Williams says
Hi
While in a class for writing memoirs asked about doing a poetic memoir and googled it and your memories came up. I would like to put together my work as a memories. Most of my poems are about my life feelings and things that has happen to me. If you have any suggestions am open to receive. Thank you
Miriam Hall says
I love this whole article – thank you for posting it. I really want to read the collection “Taking Your Own True Name” – seems unavailable. Any possibility I can get ahold of a copy?
marion says
Hi there, Miriam.
I suggest reaching out directly to Keven via Facebook.
If that does not work, please get back in touch here.
And thanks for coming by.
Hope to see you again soon.
Best,
Marion
Victoria Hunter says
The poem was enjoyable but can i offer critique? I felt that poem could come in as what poet teacher ted says “the end resolve”
When i begin my narratives i write on the end resolve, the reason for it is mentioned briefly maybr later in the poem, or disovered by the poet through the other images. Have you tried doing an experiment and trimming it down to the beginning of the end resolve. I also dont see many comparisons to other things. There was some play with imagery sounds but phrase like “swept off my feet” has been used before. You need to make it new.
I am a gifted poet so when i read poem i see their strength and weakeness quickly, or lacking. I am advanced almost master poet, although my readers feel like i am more.
I only offer critique where i see a poem can become even more (great) and the first write is already good.
In revisiom if u ever revised it. I would begin with the end resolve, something that connects them, and you can writes lines of flash backs as you go. Also you can go through your lines and check for lines that are not original. I would also consider rewriting it so it sounds more like in plain speech rather than moving to a metronome in most areas. Amy lowell is a great example of a poem that writes with lots of imagery, metaphor but keeps the plain speech. She says it is important to.
These are just things i know. I took several courses in poetry and grasped lessons fast. My problem is find my way in. What i do now is just pretend like i am picking up s conversation, as poet john brury teaches us.